{"id":12,"date":"2015-09-29T21:17:24","date_gmt":"2015-09-29T21:17:24","guid":{"rendered":"http:\/\/www.jeanfisher.com\/?page_id=12"},"modified":"2017-05-21T16:29:29","modified_gmt":"2017-05-21T16:29:29","slug":"selected-writings","status":"publish","type":"page","link":"https:\/\/www.jeanfisher.com\/selected-writings\/","title":{"rendered":"Selected Writings"},"content":{"rendered":"
Francis Al\u00ffs: In the Spirit of Conviviality<\/a><\/p>\n Monopoly and Masquerade \u2013 and Other Intercultural Entertainments<\/a><\/p>\n Some Thoughts on Contaminations (Incorporating parts of The Syncretic Turn)<\/a><\/p>\n Jimmie Durham: Holding A Mirror To Humanity<\/a><\/p>\n Reflections: An exploration of the use of sound by women artists<\/a><\/p>\n Encountering James Coleman\u2019s So Different\u2026 and Yet<\/a><\/p>\n Remembering the Future: Tradition and Modernity in the work of Hock E Aye Vi Edgar Heap of Birds<\/a><\/p>\n A distant Laughter: The Poetics of Dislocation<\/a><\/p>\n What cheer, Englishmen, what cheer, what do you come for?<\/a><\/p>\n Migration\u2019s Silent Witnesses: Maria Thereza Alves\u2019 Seeds of Change<\/a><\/p>\n Cena en casa di Levi or the Masque of Inclusivity<\/a><\/p>\n Conquest and the Treason of Images<\/a><\/p>\n Do Electric Sheep Dream?<\/a><\/p>\n Drawing: Between the Map and the Territory<\/a><\/p>\n Fictional Histories: Magiciens de la Terre<\/a><\/p>\n For You, Only You: The Return of the Troubadour<\/a><\/p>\n Interview with Dmitri Vilensky<\/a><\/p>\n Introduction to Vampire in the Text<\/a><\/p>\n Joy Reflected Upon a Lake of Sorrow: Reading Kamal Boullata<\/a><\/p>\n Kamal Boullata, Palestinian Art from 1850 to the Present A Review<\/a><\/p>\n Reflections on Willie Doherty\u2019s Work<\/a><\/p>\n Steve McQueen\u2019s Dialogues with the Image of Precarious Life<\/a><\/p>\n The Other Story and the Past Imperfect<\/a><\/p>\n The Work Between Us<\/a><\/p>\n Thinking, Weaving: Another Approach to Cosmopolitanism<\/a><\/p>\n Tricksters, Troubadours \u2013 and Bartleby<\/a><\/p>\n Unsettled Accounts of Indians and Others<\/a><\/p>\n Voices in the Singular Plural – Palestine c\/o Venice and the Intellectual Under Siege<\/a><\/p>\n We the People – Notes on Curating Contemporary American Indian art in the 1980s<\/a><\/p>\n