{"id":12,"date":"2015-09-29T21:17:24","date_gmt":"2015-09-29T21:17:24","guid":{"rendered":"http:\/\/www.jeanfisher.com\/?page_id=12"},"modified":"2017-05-21T16:29:29","modified_gmt":"2017-05-21T16:29:29","slug":"selected-writings","status":"publish","type":"page","link":"https:\/\/www.jeanfisher.com\/selected-writings\/","title":{"rendered":"Selected Writings"},"content":{"rendered":"

Selected Writings<\/h3>\n
\n

Francis Al\u00ffs: In the Spirit of Conviviality<\/a><\/p>\n

Monopoly and Masquerade \u2013 and Other Intercultural Entertainments<\/a><\/p>\n

Some Thoughts on Contaminations (Incorporating parts of The Syncretic Turn)<\/a><\/p>\n

Jimmie Durham: Holding A Mirror To Humanity<\/a><\/p>\n

Reflections: An exploration of the use of sound by women artists<\/a><\/p>\n

Encountering James Coleman\u2019s So Different\u2026 and Yet<\/a><\/p>\n

Remembering the Future: Tradition and Modernity in the work of Hock E Aye Vi Edgar Heap of Birds<\/a><\/p>\n

A distant Laughter: The Poetics of Dislocation<\/a><\/p>\n

What cheer, Englishmen, what cheer, what do you come for?<\/a><\/p>\n

Migration\u2019s Silent Witnesses: Maria Thereza Alves\u2019 Seeds of Change<\/a><\/p>\n

Cena en casa di Levi or the Masque of Inclusivity<\/a><\/p>\n

Conquest and the Treason of Images<\/a><\/p>\n

Do Electric Sheep Dream?<\/a><\/p>\n

Drawing: Between the Map and the Territory<\/a><\/p>\n

Fictional Histories: Magiciens de la Terre<\/a><\/p>\n

For You, Only You: The Return of the Troubadour<\/a><\/p>\n

Interview with Dmitri Vilensky<\/a><\/p>\n

Introduction to Vampire in the Text<\/a><\/p>\n

Joy Reflected Upon a Lake of Sorrow: Reading Kamal Boullata<\/a><\/p>\n

Kamal Boullata, Palestinian Art from 1850 to the Present A Review<\/a><\/p>\n

Reflections on Willie Doherty\u2019s Work<\/a><\/p>\n

Steve McQueen\u2019s Dialogues with the Image of Precarious Life<\/a><\/p>\n

The Other Story and the Past Imperfect<\/a><\/p>\n

The Work Between Us<\/a><\/p>\n

Thinking, Weaving: Another Approach to Cosmopolitanism<\/a><\/p>\n

Tricksters, Troubadours \u2013 and Bartleby<\/a><\/p>\n

Unsettled Accounts of Indians and Others<\/a><\/p>\n

Voices in the Singular Plural – Palestine c\/o Venice and the Intellectual Under Siege<\/a><\/p>\n

We the People – Notes on Curating Contemporary American Indian art in the 1980s<\/a><\/p>\n

Where Here Is Elsewhere<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Selected Writings Francis Al\u00ffs: In the Spirit of Conviviality Monopoly and Masquerade \u2013 and Other Intercultural Entertainments Some Thoughts on Contaminations (Incorporating parts of The Syncretic Turn) Jimmie Durham: Holding A Mirror To Humanity Reflections: An exploration of the use of sound by women artists Encountering James Coleman\u2019s So Different\u2026 and Yet Remembering the Future: […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width-template-cuatro.php","meta":{"_mi_skip_tracking":false},"yst_prominent_words":[109,107,101,105,103],"_links":{"self":[{"href":"https:\/\/www.jeanfisher.com\/wp-json\/wp\/v2\/pages\/12"}],"collection":[{"href":"https:\/\/www.jeanfisher.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.jeanfisher.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.jeanfisher.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jeanfisher.com\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":0,"href":"https:\/\/www.jeanfisher.com\/wp-json\/wp\/v2\/pages\/12\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.jeanfisher.com\/wp-json\/wp\/v2\/media?parent=12"}],"wp:term":[{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.jeanfisher.com\/wp-json\/wp\/v2\/yst_prominent_words?post=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}